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On Display: Indigenous Peoples' Day

by Zia Davidian on 2020-10-12T11:16:00-04:00 in American Indian / Native American Studies, On Display | 0 Comments

Monday, October 12, 2020 is Indigenous Peoples' Day in the United States. Instead of celebrating genocide and settler colonialism, this list highlights some recent publications by Indigenous American authors, spanning fiction, nonfiction, memoir, and poetry. Also listed are some primary source databases available from the library on Indigenous Americans, and some podcasts on indigenous topics. 

Libraries and librarians have the responsibility of selecting, preserving, and making available books and other materials for education and entertainment that offer a diverse and inclusive range of perspectives. This means we must be active in our amplification of voices that for too long have been underrepresented, unheard, or oppressed. This list is short, and doesn't even begin to include books with academic analysis, or any of the many other devastating instances of colonialism worldwide, but is a small step we can all take towards decolonizing our bookshelves and ourselves.

We recognize that UM-Flint and Thompson Library stands on the ancestral lands of Anishinabewaki ᐊᓂᔑᓈᐯᐗᑭ, Mississauga, and oθaakiiwaki‧hina‧ki (Sauk) land. Find out what Indigenous land you live on via native-land.ca or this chatbot: m.me/LandAcknowledgement

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Cover ArtMy Home As I Remember by Lee Maracle (Editor); Sandra Laronde (Editor)
My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro.

 

Cover ArtSoul Talk, Song Language by Joy Harjo; Tanaya Winder; Laura Coltelli (Other)
Through an eclectic assortment of media, including personal essays, interviews, and newspaper columns, Harjo reflects upon the nuances and development of her art, the importance of her origins, and the arduous reconstructions of the tribal past, as well as the dramatic confrontation between Native American and Anglo civilizations. Harjo takes us on a journey into her identity as a woman and an artist, poised between poetry and music, encompassing tribal heritage and reassessments and comparisons with the American cultural patrimony. She presents herself in an exquisitely literary context that is rooted in ritual and ceremony and veers over the edge where language becomes music.

 

Cover ArtThe Beadworkers by Beth Piatote
Beth Piatote's luminous debut collection opens with a feast, grounding its stories in the landscapes and lifeworlds of the Native Northwest, exploring the inventive and unforgettable pattern of Native American life in the contemporary world Told with humor, subtlety, and spareness, the mixed-genre works of Beth Piatote's first collection find unifying themes in the strength of kinship, the pulse of longing, and the language of return. Formally inventive and filled with vibrant characters,The Beadworkers draws on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life.

 

Cover ArtLiving on the Borderlines by Melissa Michal
Both on and off the rez, interlinked characters contend with history and identity as contemporary members of the Seneca Nation. Debut writer Melissa Michal weaves together an understated and contemplative collection exploring what it means to be Native. In these stories, the longing for intergenerational memory slips into everyday life: a teenager struggles to understand her grandmother's silences, a family seeks to reconnect with a lost sibling, and a young woman searches for a cave that's called to her family for generations.

 

Cover ArtShapes of Native Nonfiction by Elissa Washuta (Editor); Theresa Warburton (Editor)
Just as a basket's purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

 


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